By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive. "I'll leave it all to my solicitor. He won't let her off: by Jove, I know the fellow!"!

Fleda took her hand, and her clasp of it was a reiteration of a promise already given. She said nothing, but her silence was an acceptance as responsible as the vow of a nun. The next moment something occurred to her. "I mustn't put myself in your son's way." "Do you suggest that I shall propose to him to come down here again?" she presently inquired.

Fleda remembered that she had seen them only once. "Did you see them?" she then ventured to ask. Once in the country, indeed, she saw that her father was right: the breath of December was abroad with a force from which the London labyrinth had protected her. The green fields were black, the sky was all alive with the wind; she had, in her anxious sense of the elements, her wonder at what might happen, a reminder of the surmises, in the old days of going to the Continent, that used to worry her on the way, at night, to the horrid cheap crossings by long sea. Something, in a dire degree, at this last hour, had begun to press on her heart: it was the sudden imagination of a disaster, or at least of a check, before her errand was achieved. When she said to herself that something might happen she wanted to go faster than the train. But nothing could happen save a dismayed discovery that, by some altogether unlikely chance, the master and mistress of the house had already come back. In that case she must have had a warning, and the fear was but the excess of her hope. It was every one's being exactly where every one was that lent the quality to her visit. Beyond lands and seas and alienated forever, they in their different ways gave her the impression to take as she had never taken it. At last it was already there, though the darkness of the day had deepened; they had whizzed past Chater—Chater, which was the station before the right one. Off in that quarter was an air of wild rain, but there shimmered straight across it a brightness that was the color of the great interior she had been haunting. That vision settled before her—in the house the house was all; and as the train drew up she rose, in her mean compartment, quite proudly erect with the thought that all for Fleda Vetch then the house was standing there. Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.